With the following we’re trying to provide a primer on French language film from an English-speaking perspective, exploring the schools of thought and exotic taxonomies that have defined what French filmmaking has been since George Méliès first set a moon cackling like a creep in 1902, and what it can be, skin-flaying, cannibalistic Grand Guignol nightmares and all.
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Auteurist visions care of Belgium, Greece, Poland, Denmark, Taiwan, Spain, Italy, the Netherlands and Senegal course through and inform the prelapsarian innards of French cinema, transforming the country into a hub for international film. If there is anything unifying the films in the following list-besides the French language-it might be that there exists a current of fundamental innovation throughout the many years surveyed.
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The best French movies aren’t simply the product of a French person working strictly with a French team, they represent film as entelechy-a century of directors rooting around within the source code of this particular form of storytelling, pushing it into realms equally transcendent and horrifying.
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French language cinema covers vast swathes of history, geography and genre.